Africa

Contributors:
Issam A. Abdel Hafiez;
Musa Adam Abdul-Jalil;
Abaker Mohamed Abuelbashar;
Rogaia Mustafa Abusharaf;
Eric Kofi Acree;
Ali B. Ali Dinar;
Munzoul A.M. Assal;
Alex de Waal;
Atta El-Battahani;
Kamal El-Gizouli;
Abdel Monim Elgak;
Abdullahi Osman El-Tom;
Grant Farred;
Adrienne Fricke;
Fahima A. Hashim;
Salah M. Hassan;
Amira Khair;
Mansour Khalid;
Mahmood Mamdani;
Carina E. Ray;
Karin Willemse;
Benaiah Yongo-Bure;
Al-Tayib Zain Al-Abdin

The ongoing conflict in the western Sudanese region of Darfur has received unprecedented attention from the international media and human rights organizations, and it has captured the attention of millions of people around the world. Those seeking to learn about the conflict, as well as those who have reported on it, often rely on information produced by the various organizations that are addressing the humanitarian crises spawned by the conflict. In turn, most coverage of the Darfur crisis provides only a cursory understanding of the historical, economic, political, sociological, and environmental factors that contribute to the conflict. Moreover, the perspectives of the people of Darfur and the Sudan have not been adequately heard. As a result, Sudanese civil society's active engagement in resolving the country's problems goes unrecognized.

Darfur and the Crisis of Governance in Sudan remedies this situation by bringing together a diverse group of contributors from Sudan and beyond--scholars, activists, NGO and aid workers, members of government and the Darfurian rebel movements, and artists--who share a deep knowledge of the situation in Darfur and Sudan. Together, they provide the most comprehensive, balanced, and nuanced account yet published of the conflict's roots and the contemporary realities that shape the experiences of those living in the region. The cross-disciplinary dialogue fostered by Salah M. Hassan and Carina E. Ray yields a comprehensive understanding of the causes, manifestations, and implications of the ongoing conflict. Many of the contributors emphasize that despite the international attention Darfur has received, it is those within Darfur and Sudan--both in preexisting organizations and in newly formed alliances--who have taken the lead in seeking local solutions.

This book features a portfolio of affecting full-color photographs of daily life in Darfur by the acclaimed photographer Issam A. Abdelhafiez and, significantly, an extensive appendix of official local and international documents about the conflict--laws, decrees, resolutions, reports, and governmental statements--that have shaped both the crisis and its global perception. Collected here for the first time, these documents are invaluable as primary sources for researchers, students, activists, NGOs, and anyone else trying to understand the complexities of the crisis.

The young life of Daoud Hari–his friends call him David–has been one of bravery and mesmerizing adventure. The Translator is a suspenseful, harrowing, and deeply moving memoir of how one person has made a difference in the world, an on-the-ground account of one of the biggest stories of our time: the brutal genocide under way in Darfur.

In 2003, Daoud Hari, a Zaghawa tribesman, was among the hundreds of thousands of villagers attacked and driven from their homes by Sudanese-government-backed militia groups. Though Hari’s village was burned to the ground, his family decimated and dispersed, he himself escaped, eventually finding safety across the border. With his high school knowledge of languages, Hari offered his services as a translator and guide. In doing so, however, he had to return to the heart of darkness–and he has risked his life again and again to help ensure that the story of his people is told while there is still time to save them.

For the first time in the United States comes the tragic and profoundly important story of the legendary Canadian general who "watched as the devil took control of paradise on earth and fed on the blood of the people we were supposed to protect." When Roméo Dallaire was called on to serve as force commander of the UN Assistance Mission for Rwanda, he believed that his assignment was to help two warring parties achieve the peace they both wanted. Instead, he was exposed to the most barbarous and chaotic display of civil war and genocide in the past decade, observing in just one hundred days the killings of more than eight hundred thousand Rwandans. With only a few troops, his own ingenuity and courage to direct his efforts, Dallaire rescued thousands, but his call for more support from the world body fell on deaf ears. In Shake Hands with the Devil, General Dallaire recreates the awful history the world community chose to ignore. He also chronicles his own progression from confident Cold Warrior to devastated UN commander, and finally to retired general struggling painfully, and publicly, to overcome posttraumatic stress disorder—the highest-ranking officer ever to share such experiences with readers.

The troubles of Africa today are severe and wide-ranging. Yet, too often, they are portrayed by the media in extreme terms connoting poverty, dependence, and desperation. Here Wangari Maathai, Nobel Peace Prize laureate and founder of the Green Belt Movement, offers a refreshingly unique perspective on these challenges, even as she calls for a moral revolution among Africans themselves.
 
Illuminating the complex and dynamic nature of the continent, Maathai offers “hardheaded hope” and “realistic options” for change and improvement. She deftly describes what Africans can and need to do for themselves, stressing all the while responsibility and accountability. Impassioned and empathetic, The Challenge for Africa is a book of immense importance.

Why hasn't Africa been able to respond to the challenges of modernity and globalization? Going against the conventional wisdom that colonialism brought modernity to Africa, Olúfémi Táíwò claims that Africa was already becoming modern and that colonialism was an unfinished project. Africans aspired to liberal democracy and the rule of law, but colonial officials aborted those efforts when they established indirect rule in the service of the European powers. Táíwò looks closely at modern institutions, such as church missionary societies, to recognize African agency and the impulse toward progress. He insists that Africa can get back on track and advocates a renewed engagement with modernity. Immigration, capitalism, democracy, and globalization, if done right this time, can be tools that shape a positive future for Africa.

Colonialism and Violence in Nigeria looks closely at the conditions that created a legacy of violence in Nigeria. Toyin Falola examines violence as a tool of domination and resistance, however unequally applied, to get to the heart of why Nigeria has not built a successful democracy. Falola's analysis centers on two phases of Nigerian history: the last quarter of the 19th century, when linkages between violence and domination were part of the British conquest; and the first half of the 20th century, which was characterized by violent rebellion and the development of a national political consciousness. This important book emphasizes the patterns that have been formed and focuses on how violence and instability have influenced Nigeria today.

A one-of-a-kind collection showcasing the energy of new African literature

Coming at a time when Africa and African writers are in the midst of a remarkable renaissance, Gods and Soldiers captures the vitality and urgency of African writing today. With stories from northern Arabic-speaking to southern Zulu-speaking writers, this collection conveys thirty different ways of approaching what it means to be African. Whether about life in the new urban melting pots of Cape Town and Luanda, or amid the battlefield chaos of Zimbabwe and Somalia, or set in the imaginary surreal landscapes born out of the oral storytelling tradition, these stories represent a striking cross section of extraordinary writing. Including works by J. M. Coetzee, Chimamanda Adichie, Nuruddin Farah, Binyavanga Wainaina, and Chinua Achebe, and edited by Rob Spillman of Tin House magazine, Gods and Soldiers features many pieces never before published, making it a vibrant and essential glimpse of Africa as it enters the twenty-first century.